Night, 2003

The described body of work draws inspiration from mystical and philosophical traditions, particularly those focused on the concept of negation, which has been a significant theme in both historical spiritual writings and modern art. This approach resonates with the works of contemporary video artist Bill Viola, who is known for his exploration of spiritual themes and his interest in mystical traditions.

The paintings, created on sandblasted mirrors, incorporate texts from various spiritual and philosophical sources, including Meister Eckhart and St. John of the Cross. These mystics, along with others mentioned, have been influential in Viola's work as well. Viola's art often draws from mystical traditions, including the writings of St. John of the Cross, Meister Eckhart, and Islamic Sufism, to explore themes of human existence and spirituality.

The artistic process described, involving layering and sanding of text and images, creates a palimpsest-like effect that echoes the concept of negation. This technique of building up and erasing layers to reveal traces of underlying content is reminiscent of Viola's approach to video art, where he often uses slow-motion and layered imagery to create contemplative, immersive experiences.

The inclusion of images depicting the desert and the Trail of Tears adds a dimension of historical and cultural context to the exploration of negation. This juxtaposition of text and imagery reflects a contemporary approach to addressing spiritual and philosophical concepts through visual art, similar to how Viola uses video installations to create spaces for reflection on the human condition.

The lithograph series, with its use of ghost prints, further emphasizes the theme of negation by building images from residual traces. This technique of working with absence and presence aligns with Viola's interest in exploring the boundaries between the visible and invisible, the material and the spiritual.

Overall, this body of work, while distinct in its medium and specific execution, shares thematic and conceptual similarities with Bill Viola's approach to modern art. Both engage with mystical traditions, explore the concept of negation, and use innovative techniques to create layered, contemplative works that invite viewers to reflect on spiritual and existential themes.