PILGRIM:  2016

The paintings and drawings in "Pilgrim" explore themes of sight, place, and ephemeral moments. For several years, I've been investigating the concepts of before, after, and in-between, incorporating references through light and landscape. These process-based works begin with images captured in my backyard as the creek starts flowing in spring. It's an attempt to observe what's closest to me—the space where my children play, where we experience joy, sorrow, and the everyday chaos of life.

The creative process for the paintings involves laminating images between glass and mirror, allowing light to reflect and illuminate the work from within. Layers of paint and text are applied and then sanded off. The text is created using a silkscreen technique, leaving negative space around the words. This method allows more light to penetrate where the paint is thinner. As layers are repeatedly applied and sanded, words from previous layers emerge and fade. The key is to discover the painting through a series of accidents and moments of grace, rather than predetermining the outcome.

The drawings employ a different technique: dry transfer lettering on vellum. After printing the image on vellum, layers of text are added using templates and transfer lettering. The text is first arranged on separate sheets, then traced onto the drawing. The lines of text are applied to create a rhythm reminiscent of Gregorian chants, alternating from side to side to achieve balance. Each letter must be individually applied and then carefully wiped away.

Both the paintings and drawings strive to find their equilibrium through contrasting actions and spatial relationships, ultimately seeking a still point amidst the creative process.